IMMATERIAL
IMMATERIAL
An assemblage of fragments, forming itself out of the substance of a the
material memory and unforming itself back into it. Vibrating as a contact zone of a multipicity of
worlds, never fully known, impossible to assimilate. A movement of decay manifesting for brief moment in
space as an exponential movement, as an in between and its dissolution.
a project by 4E: Franziska Lyon,
Johanna Heilig, Justus Lietzke, Kosmas Dinh
STUTTGARTER STRAßE
We discover a dissolving place. A former garden spot near the
center of Karlsruhe, that has to be demolished because of war load in the ground. We want to
remember. The focus lies on the memories that find no place in official archives. How can we reveal
the processes of change and decay? To understand we look at the material itself. Which insights can
the fracture of a burnt beam or the patina of an old chimney pipe open up for us? By many the empty
sheds on the site were used as housing. Which objects do they consider worth remembering?
EMMA-JÄGER BAD
Through the process of sorting we grasp the Fragments. We catalyse
connections and dependencies between them and with the new context of the swimminghall. For the
time-span of three days the material assemblage takes on the form of an exponential movement. Due to
legal building regulations in the swimminghall only a few people were able to see the installation
in its physical form. During these days we continue the exploration by recording sounds directly
from the fragments which later are matched with recordings form the site and are turned into a sound
environment with our friend Firat Yildiz.
For the presentation of „immaterial“ we developed an exhibition
concept that featured the virtual tour of the installation from the swimming hall but also extended
the constellations of fragments into yet another context. Alongside, the exhibition presented
contextualising video works that gave insight into the events and encounters at the former garden
spot in its last days.
a project by Kosmas Dinh, Franziska Lyon, Johanna Heilig, Justus
Lietzke
THE RING CONSTELLATIONS
Constellations of fragments, forming itself out of the
substance of memory and exchange, and dissolving back into it. The tactile process of
sorting the fragments, for us, was a very essential part to grasp the information contained
in the material. Through the installation the visitors became part of a continuous sorting
process. An evolving exchange between the material memory, the visitors and other visitors,
that took part in the process.
LA LUCRU
The vacancy on the site had been used as shelter by many for several
months. LA LUCRU gives insight into an encounter that does not stop at the failure of
speech. The people in whose reality we get a glimpse of in the short documentary, show
incredible hospitality in the precarious circumstances of the last days before the
demolition of their home. The, at times hermetic at other times poetic, images focus on
these shared and very honest moments of human warmth in the face of uncertainty.
CLOSING PERFORMANCE
As one day friends from the ballet came by to visit the
exhibition and they immediatley approached the ring installation with a lot of sensibilty
and interest, the visit turned into a collaboration very organically. For the closing of the
exhibition we invited them to use the ring installation as a frame for a performance. A
continutation of the forming and unforming and a final exchange between the material, the
dancers and the visitors who took part in hanging and moving the fragments.